Frequently Asked Questions

Admin & Fee Relations (Apr 2023)

Yes you can! Lesson trials are payable and subjected to teacher/coach availability. Do contact us to find out about ongoing lesson trial promotions!

  1. All successfully enrolled students will pay for a one-time non-refundable registration fee of $35
    upon enrolment of any courses.
  2. There is a compulsory refundable deposit of $100 per student. The deposit will be refunded upon
    successful termination, (i.e. termination notice served duly – 1 month notice) and outstanding fees paid.
  3. Students will not be given any refunds for any outstanding course fees, if they wish to
    withdraw from, or end their courses prematurely.
  1. All course fee payments are done by the 1st lesson of every month.
  2. Fee payments can be done by Cash or PayNow.
  3. A late fee of $10/month will be imposed on any late payment on course fees and there will be strictly no waiver.
  4. If a course is enrolled into when the month has started, the fees will be prorated accordingly.
  5. Fees are paid based on the number of lesson weeks per month. (i.e. if there are 5 Tuesdays that month, the payment will be for 5
    lessons. If there are 4 Tuesdays, payment will be for 4 Tuesdays).
  6. There is a 1 week term break every term (3 months). Do refer to the school calendar for the exact dates.
  7. If a lesson falls on a government gazetted public holiday or term break, there will be no lesson and no payment required.
  8. The school reserves the right to suspend lessons if the fees are not paid. All lessons are non-transferrable nor refundable.
  1. For 1-1 individual classes, students are allowed to reschedule 1 lesson over a 12-week period. Once a lesson change credit is utilised, the next lesson change credit can only be granted 12 weeks later. All scheduled lessons cannot be cancelled.
  2. Do give the school ample notice (>24 hours) if you’ll like to reschedule your lesson.
  3. The make-up lesson have to be cleared within 6 months (2 terms).
  4. Lesson change credits are non-transferrable & non-refundable, and cannot be accumulated if unused.
  5. Individual make-up lessons slots can be arranged in the form of lesson extensions or another lesson replacement on another day, depending on the teacher’s availability. In the rare event the primary teacher is unable to conduct the make-up lesson, a replacement teacher will be in place.
  6. All missed make-up lessons cannot be rescheduled nor replaced.
  7. There are strictly no make-up classes allowable for group classes.
  1. Do give the teacher/school ample notice (>24 hours) if you’ll like to utilise the lesson change credit.
  2. If the student’s absence is only made known to the school shortly (i.e. < 2 hours) before class, the lesson will be counted and forfeited. We seek the understanding of students as it is fairer this way than for us to raise fees to offset cancellation losses.
  3. Please be punctual for all lessons. Late lessons will not be made-up.
  1. In the event you need to miss more than 2 lessons, you are advised to terminate your course (giving 1 month notice). An administration fee of $35 is applicable when you re-enrol. Should you choose to reserve/hold your slot, you will be required to pay all current or outstanding fees.

There is an article written by Dr Vicky Barham, the parent of a young violin student, who is also an economist and Dean at the University of Ottawa (Canada). She explains why make-up lessons may not be a fair system overall.

When music schools offer a lesson slot (i.e. Mondays 3pm @ $50 for 30mins), they are actually ‘selling’ that lesson slot indefinitely (until the student terminates or requests to change to another permanent slot).

The cost breakdown for each lesson consists of the following:

      1. The teacher’s time
      2. The teacher’s teaching service/effort/planning
      3. Usage of premises & equipment
      4. Logistics planning (i.e. up-keeping studio usability and administrative tasks)

Whenever a student cannot make it for a class, the teacher will have to find another time to give up (i.e. for his/her private life) in order to accommodate a make-up class. Moreover, that original lesson slot is already considered ‘sold’ and cannot be used to ‘earn’ again. Although pointers 2, 3 & 4 are not used for that day, the teacher’s time will be voided as he/she have reserved the slot indefinitely for the student. Hence, there are limits implemented for lesson changes, as well as policies against last minute cancellations/changes as we do our best to ensure that the same teacher conducts the make-up class.

If a student is going to be absent for more than 2 weeks and wants to maintain his/her lesson slot, it is only fair for a holding fee to incur because the indefinite lesson slot was already ‘sold’ from the beginning, and cannot be ‘resold’ for any other purpose unless the student terminates lessons. Therefore, the school reserves the right to release the slot to other enquirers if no holding fee is incurred.

Music lessons are non-durable goods – meaning, once my Monday slot at 3:30 is gone, my son’s teacher can’t turn around and sell it again. The only way she would be able to give him a lesson later in the week would be if she were to give up time that she had scheduled for her own private life; and that seems pretty unreasonable.” – Dr Vicky Barham

Dr. Vicky’s Article

I’m a parent of children enrolled in Suzuki music lessons. I’d like to explain to other parents why I feel – quite strongly, actually – that it is unreasonable of we parents to expect our teachers to make up lessons we miss, even if I know as well as they do just how expensive lessons are, and, equally importantly, how important that weekly contact is with the teacher to keeping practicing ticking along smoothly. I think that it is natural for we parents to share the point of view that students should have their missed lessons rescheduled, but if we were to ‘walk a mile’ in our teachers’ shoes, we might change our minds about what it is reasonable for us to expect of our teachers.

Like many parents, I pay in advance for lessons each term. In my mind, what this means is that I have reserved a regular spot in the busy schedules of my sons’ teachers. I understand – fully – that if I can’t make it to the lesson one week (perhaps my son is sick, or we are away on holiday, or there is some other major event at school) then we will pay for the lesson, but that my teacher is under no obligation to find another spot for me that week, or to refund me for the untaught lesson. And this is the way it should be.

In my ‘other life’ I am an economist and teach at our local university. Students pay good money to attend classes at the university; but if they don’t come to my lecture on a Monday morning, then I am not going to turn around and deliver them a private tutorial on Tuesday afternoon. When I go to the store and buy groceries, I may purchase something that doesn’t get used. Days or months later, I end up throwing it out. I don’t get a refund from the grocery store for the unused merchandise. If I sign my child up for swimming lessons at the local pool, and s/he refuses to return after the first lesson, I can’t get my money back. So there are lots of situations in our everyday lives where we regularly pay in advance for goods or some service, and if we end up not using what we have purchased, we have to just ‘swallow our losses’. On the other hand, if I purchase an item of clothing, and get home and change my mind, I can take it back and expect either a refund or a store credit.

So why do I believe that music lessons fall into the first category of ‘non-returnable merchandise’, rather than into the second case of ‘exchange privileges unlimited’ (which I think is one of the advertising slogans of an established women’s clothing store!)? Speaking now as an economist, I would claim that the reason is that items like clothing are “durable goods’ – meaning, they can be returned and then resold at the original price – whereas music lessons are non-durable goods – meaning, once my Monday slot at 3:30 is gone, my son’s teacher can’t turn around and sell it again. The only way she would be able to give him a lesson later in the week would be if she were to give up time that she had scheduled for her own private life; and that seems pretty unreasonable – I can’t think of many employees who would be thrilled if their bosses were to announce that they couldn’t work from 3:30 to 4:30 this afternoon, but would they please stay until 6:30 on Thursday, because there will be work for them then!

Many teachers hesitate to refuse our request to shift lesson times (because our busy schedules do change), because unless they keep us parents happy, we will decide to take our child somewhere else for lessons (or to drop musical study), and they will lose part of their income. This is particularly true in areas with lower average income, where it can be particularly difficult to find students. So rather than telling us that ‘well, actually, the only time when I’m not teaching and that you can bring your son for lesson is during the time I set aside each week to go for a long soul-cleansing walk, and I can’t do that on Monday at 3:30 when you should have turned up’, they agree to teach us at a time that really doesn’t suit their schedule. Teachers who are ‘nice’ in this way often, in the long run, end up exhausted, and feeling exploited; they try to draw a line in the sand. However, too few parents ask to switch only when absolutely necessary, and too many parents want lesson times when it suits them this week, which is not the same time that suited last week. If the conflict arises because my child is in the School play, and they have their dress-rehearsal during his lesson time, then I feel that I must choose between the two activities, and if he attends the dress rehearsal my private lesson teacher doesn’t owe me anything.

During May, my eldest son will be missing three lessons because he is going to accompany me on a trip to New Zealand to visit his great-grandparents. I do not expect my son’s teacher to refund me for those missed lessons, or to reschedule them by ‘doubling up’ lessons in the weeks before or after our departure. Since there will be lots of advanced notice, I might ask her to consider preparing a special ‘practice tape’ for that period, or to answer my questions via e-mail, but if she doesn’t have the time (the second half of April is going to be really busy for her, and she wouldn’t be able to do the tape until more or less the week we left) and so has to refuse, then that’s fine. I certainly don’t expect her to credit me with three make-up lessons; there is no way for her to find a student to fill a three-week hole in her schedule during our absence. Instead, I hope that she will enjoy the extra hour of rest during those three weeks, and that we will all feel renewed enthusiasm when we return to lessons at the end of the trip.

Article Copyright © 2001 Dr Vicky Barham

COVID-19 & General Hygiene Advisory (Aug 2022)

  1. Wearing of masks are still compulsory within the premises (Aug 2022).
  2. All precautionary measures are still in place. These include hand sanitisers, regular professional disinfection/fumigation,
    and daily cleaning.
  3. Students are required to wash their hands with soap before entering the studios.
  4. The piano keys are disinfected/wiped/cleaned with Dettol disinfectant after every student.
  5. All teachers and students must wear a mask at all times.
  6. A maximum number of people will still be regulated at the premises and studios at any given time
    to prevent crowding.
  1. Do refer to our MC and makeup policies in the enrolment form.
  2. Lessons can be conducted online (optional) for suitable students (i.e. adults, students >6yrs, non-beginners who are on home recovery or on home isolation orders) to ensure learning continuity if they are feeling well. All you’ll need is a Skype/Google/Zoom account, and a computer/tablet equipped with a webcam for lessons to take place. If you are placed in a government facility for recovery, further arrangements can be made with regards to your lessons..
  3. Group theory lessons can still be conducted online as group video calls with the teacher.
  4. A “tutorial” of how to set up a camera, which angles and tricks to use to make sound more realistic, pros and cons of online music learning etc.
  5. Students sitting for exams or of higher grades are strongly encouraged to continue online lessons, or be given added flexibility (i.e. fortnight lessons) so as to ensure they are on track throughout any government restrictions.
  6. In the event a student/parents decides to suspend lessons temporarily, a refundable suspension fee (rated based on student’s fees) will be held, and returned when the student resumes lessons. This fee is different from temporary suspensions due to other commitments – which includes a non-refundable holding fee for the duration of the suspension.

Learning Journey Relations

The ideal time to start music lessons differs for every child. A team from Concordia University, as well as the Montreal Neurological Institute and Hospital at McGill University, tested 36 adult musicians on a movement task and scanned their brains. The study, published in the Journal of Neuroscience, found strong evidence that the years between ages 6 and 8 are a “sensitive period” when combined with normal brain development, produce long lasting changes in motor abilities and brain structure. Learning music before the age of 6 also imparts many crucial skills to their developing minds! Students may not be able to sit still, but their brains are constantly absorbing; while their ears are constantly listening. Most of us teachers begin lessons when we’re 4-5 years old. Start by exposing your child (even before they’re born!) to music at a young age, whether is singing, rhythm and/or dance!

The rate of learning, is subjective. Every student is unique, and progresses differently based on his/her exposure to music throughout their daily life, as well as practice regime. We strongly believe in an ability driven learning process. It is important to tailor to the learning pace according to the student’s abilities and needs. Parents are encouraged too, to support the student and guide the student throughout their learning journey.
It is crucial to have an instrument right from the start as the progress of the student depends entirely on practice and their exposure to the instrument. It is also important to invest in an instrument that is of acceptable quality as it helps inspire the student to enjoy their practice sessions. The positive spirit of parents and family members towards their child’s music learning journey plays a powerful role in building and sustaining the child’s interest.

We aim to focus the importance of lesson time between the student and teacher. Sitting in is only allowed for selected cases such as if the child is <4 years old or has special needs. It is good to have the teacher build a rapport with the student, vice versa the student with the teacher.

Learning points such as sitting/playing/hand posture, technique achievement, will have to be demonstrated by the student during class, followed by replicating at home. Lesson notes will also be written in a notebook by the teacher for the parent and child to take note of what to do for homework. Most of the time, the teacher will also brief the parent on what was done in class, as well as what needs attention (if time permits). The teacher too, can do video snippets of what was being done, as well as what needs to be done for the parent to guide the child at home.

The school strongly believes that every student is unique in terms of their capabilities and abilities; which is why there are multiple music examination tracks available to cater to the strengths of different students. The child’s ability can be assessed over some time before a choice can be made. 

For enrolment into the Music Elective Programme (MEP), Enhanced Music Programme (EMP) and O-Level Music course, it is not based on the candidate’s certification by external examination boards, but by passing the MOE Selection Exercise. The Selection Exercise comprises a Listening Test, Audition, Aural Test and Interview. With regards to the audition, students can perform on an instrument of their choice – your child could perform music from any tradition (e.g. popular, classical, traditional Asian).

More information about the Selection Exercise can be found on the following MOE webpages:
MEP: go.gov.sg/musicelectiveprogramme
EMP: go.gov.sg/enhancedmusicprogramme

The pre-requisite to take A-Level Music is a pass in GCE O-Level Music or Higher Music examination. In the event that your child decides not to take O-Level Music but wishes to pursue A-Level Music, he/she must first enrol in one of the 7 JCs that offer MEP or A-Level Music, followed by passing the Selection Exercise. More information about the Selection Exercise can be found on this website: https://www.moe.gov.sg/programmes/mep-jc

– Ministry of Education (2021)

Skipping grades have their positives and negatives. Positives include saving on examination fees and a faster track. However, a faster track may also mean that loopholes may develop in their learning curves. It is important that the final call be made with the teacher’s assessment prior to skipping grades.

It is important for the teacher to make the final assessment as to whether the student is ready for a particular grade. The school strongly discourages chasing grades with deadlines. Learning music is an art that should be about appreciation and enjoyment. The burning question to ask is “What truly excites your child to sit at the piano and play?” The unlikely answer will be due to an impending exam.

It is extremely important for both the child and parent to understand what are the components involved in MEP first, before deciding on whether to take up the course. Chasing a grade by a particular deadline will not guarantee acceptance into the programme as the grade is just a guideline with regards to the pre-requisites needed for O and A-Level music. An audition will still be conducted on the child’s ability prior to acceptance.

Similar to the above, an interview and audition will have to be conducted as well apart from the certifications. The certificates usually just act as a support. How the candidate performs and present themselves holds a heavier weightage.